Baroque-week course in the European art from the late 16th century to mid-18th century
December 2nd, 2008 Filed Under naaktbelgisch.com edit
Name a style of the Italian Baroque -stranny, fussy, intricate. The style spread in Europe and America Latinsskoy 17v in the first half of 18v. Architectural forms ambitious, dynamic, free. Lines of buildings and outdoor curved, corrugated. In dressed interiors of the decorative architectural forms, sculptures and works of art. The art is a light and shadows. Homeland baroque Rome. New style primarily rooted in church architecture. The architecture of that era influenced urban growth, the construction dressed homes. Royal palaces and villas with majestic ensembles Parks showed power and wealth aristocracy comfortable Castles heroes, religious buildings ukrashalici ago, the internal wall are expensive tissues, in parks constructed along fountain. Baroque art is characterized by : the abundance of externalities and elements. Pieces image and the picture solemnly, the expression of cuvstvenna. In the 17th century a unique role in the arts in painting. Baroque era broadened displayed items enriched the art new genres. Artists ljublili warm and soft color conversions, their pritagival play of light and shadow contrasts of light and darkness, great attention to the materialistic image. An integral part of Baroque architecture, a multi-media sculpture. They decorated building facades and interiors. Sculptures Baroque decorative, emotsyanalno complement the architecture of buildings and ensembles. Parks ukrasilisi groups sculptures on ancient stories, the area planted monuments rulers, they ojivlali fountains and stairways.
The word "baroque Italian origin, literally means" strange "," quaint. " This title is consistent with the characteristics of the style of European art from the late 16th century to mid-18th century. In the history of art in 1919 and, in particular, the 20th century term "Baroque" are clearly all European art 17-18 centuries. Baroque art is raszvelo and in Italy, where the largest working architect and sculptor L. Bertini, painter, Head of democratic realism Caravaggio, followers Vilhelms Carracci brothers, etc. car was associated with the culture dvoransk-zerkovna a flourishing absolutism. It is the celebration of the power of the church and secular aristocracy and tended to mount solemnity and pomp. During this period, there has been a flourishing of architecture, resulted in a huge urban ensembles and dvortsovo-parkovh complexes (Cathedral and St. Peter's Square in Rome, colonnade formed Bertini (1657-1663gug)). The fundamental feature of Baroque is their desire for the synthesis of the arts, bringing in a group of architecture, sculpture, painting and decorative arts. In the fine arts of the period dominated by stories, which were laid dramatic conflict-religious, or football allegoriceski nature. Created perfect portraits, intended to decorate the interiors. Baroque feature is not the Renaissance harmony for a more emotional contact with the spectator. Gained importance compositional effects expressed in bold contrasts proportions, color, light and shade. But baroque artists strive to achieve rhythm and color Unity, a beauty. Baroque extension in Flanders (the famous castle in Flanders, P. Rubens, F. Snijders, J. Jordans, A. van Dijk), in Spain, Portugal, southern Germany, in Austria, the Czech Republic, Slovakia, Croatia, in the west of Ukraine, Lithuania. In France, church merged with klassizizmom into a flourishing style. (Lamborghini barocco, letters artsy-bizarre) One of the dominant styles in the European arhitukture art and the end of 16-seredin 18 centuries. , Baroque established in the era of intense collapse of nations and nation-states (mainly absolute monarchies). Baroque translate new ideas of unity, the scale and diversity of the world, its dramatic complexity and eternal variability, interest in the real environment to the environmental nature's fury Baroque replaces the artistic humanistic Renaissance culture and sophistication subjeguizmu art Lesko. Rather than inherent in the classic Renaissance culture images of harmony and variables being the endless possibilities of Rights, his will and reason baroque aesthetic based on conflicting rights and peace, and the ideal terests began, reason and the irrational forces. Man in the art of Baroque brought multifaceted personality of the complex internal world involved in the cycling and conflict environment. For Baroque is huge, beautiful and dynamic pripodnyatosti pathos, the intensity of feelings addictive spectacular Baltic, Reconcile illusory and the real, strong contrasting the magnitude and pace, materials and texture, light and shadows. Synthesis Arts, Baroque, overthrows comprehensive and involves almost all sectors of society (from the State and aristocracy to the poorest urban and partly rural) solemn nature, �онументально-Ð´ÐµÐºÐ¾Ñ Ð°Ñ‚ ивное unity, imagination striking in its scope. City ensemble, street, area, park, hotel, was seen as an organized, developing space artistic whole, many advancing to the visitors. Palaces and churches through Baroque luxury, exotic plastic facades, turbulent svetoteni game, complex curves plans and shape have scenic and dynamic and how pumped into the space environment. Perfect interiors baroque buildings ukrashalici rainbow sculpture, lepka, threads; Mirrors and paintings illusory expanded space Paintings and lamps create the illusion razverzshihsa sets. In the fine arts, dominated Baroque tuba decorative compositions religious, or football allegoriceski nature perfect portraits emphasizing privileges of the human condition. Idealization images combined them with the turbulent dynamics, unexpected composiimi and optical effects, the reality from fantasy, religious affectation, with an emphasis on atmosphere, and often severe naturalnostthew and substance forms bordering illuzornostew. The art style sometimes included real objects and materials (statues with real hair and teeth, chapel of bones, etc.). The paintings become a significant emotional, and sto koloristicescoe unity of the whole, often uninhibited freedom pill, in the sculpture garden-turnover form, a sense of the variability of the image of the richness and experience. In Italy, the home of baroque-certain assumptions and techniques demonstrated in the 16 century. in everything and decorative painting Correggio, Caravaggio paintings, buildings J. Vignola (type rannebarocna Church), sculpting Jambolonyi. The most complete and the culmination of the Baroque was in full religious and meaningful works affectation architect and sculptor L. Bertini, F. architect Borromini, painter Pietro da Cortona. Later, the Italian Baroque evolved to fantasticnosti buildings G. Guarini, bravurnosti painting Rosa C. and A. Magnasco, dizzying ease painting JB Tiepopo. In Flanders forests born Dutch bourgeois revolution 1566-1602, made to the art of Baroque powerful life - the realistic (painting P. Rubens, van Dijk, J. Jordansa). In Spain, in 1917. some of the characteristics of Baroque prostupali sung in architecture schools X. B. de Herrera, in a realistic painting X. de Ribera and F. Surbarana, sculpting X. Montañesa. In 18. buildings in X. B. de Currigera of Baroque reached extraordinary complexity and sophistication decor (even more exaggerated in the ultraborocco "Latin America). Baroque style was idiosyncratic interpretation in Austria where he combined with the trend figures (Piotr JB Fischer von Erlah and I. L. Hildebrandt, Earl F. A. Maulberc) and absolutist states Germany (Piotr and sculptors B. Neiman, A. Schluter, M. D. Peppepman, Azam brothers, the family happened. Dintsenhofer working in the Czech Republic), in Poland, Slovakia, Hungary, Slovenia, Croatia, the West. Ukraine, Lithuania. In France, where the leading style in the 17 century. Become classics, Baroque remained until mid-century, by the passage, but with the victory absolutism, both directions blended into one pompezny rendering. great style (cavernous halls of Versailles, Paintings Lebrena S.). The term "Baroque" is sometimes wrongly applies to the whole artistic culture in 1917. , including phenomenon Far from the Baroque to the content and style (for example, "narashkinske baroque" or "Moscow Baroque" Russian Duma end 17.) . In many countries of Europe, in 17. have bright and realistic national schools relying on techniques karavajisme, and the local artistic tradition of realism. They most clearly reflected in a kind of unique creations of great masters (D. Velasquez in Spain F. Khalsa, J. Vermera Delft, Rembrandt in Holland, etc.), a nice, and sometimes deliberately protivopostavljennom artistic concepts Baroque. In Russia the Baroque, otrazivchego growth and the culture of absolute monarchy, for the 1st half of the 18 century. Baroque style in Russia is free from exaltation and worship (characteristic of the arts Catholic countries), as well as a number of national characteristics. English Baroque architecture, reached impressive proportions in urban and blocks ensembles Petersburg Petergofa (Petrodvorets), Klavs Selo (Pushkin), etc. is a solemn clarity and integrity compositions buildings and architectural complexes (Piotr M. Zemtsov, VV Rastrelli, DW Uhtomski); Graphic arts appealed to the secular, social themes gains portpet (sculptures B. K. Rastrelli, etc.) Baroque era of the widespread rise of monumental art and ï¿½ÐµÐºÐ¾Ñ Ð°Ñ‚Ð¸Ð²Ð½Ð¾-Ð¿Ñ Ð¸ÐºÐ»Ð°Ð´Ð½Ð¾ го Art is closely related to the architecture. In the first floor. 18. Baroque moving to ease graziozna Rococo style, coexists and intertwined with them, and inhabitants respectively. everywhere klassizizmom replaced.
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